Behind the Curtain

Official Blog of International City Theatre

The Robber Bridegroom is Centuries in the Making!

October 28th, 2011

The cast of The Robber Bridegroom at ICT

Michael Stone Forrest, Jamison Lingle, Chad Doreck and Sue Goodman in The Robber Bridegroom at ICT

Good ideas come every day, but rarely does a great idea come along that stands the test of time. One such great idea is currently playing at International City Theatre – the splendidly fun, Tony-nominated musical “The Robber Bridegroom.” Based on a fairy tale that has evolved over hundreds of years, this story is as entertaining today as it was when it was originally penned.

Although the original Broadway show debuted in 1975, the idea for this revival goes back much further than that. Written and composed by Alfred Uhry and Robert Waldman, they based the musical on Eudora Welty’s novella of the same name. Published in 1942, it was Welty’s first novel and was viewed by readers and critics alike as a contemporary Southern fairy tale. However, the good idea did not start with Welty.

Welty’s novella is based on a German fairy tale collected by The Brothers Grimm in the late 1700’s as tale number 40. However, while the actual origin of the story has never been determined, it can be traced all the way back to Shakespeare in 1599 when he refers to the tale in “Much Ado About Nothing.”

Michael Uribes and Tyler Ledon in The Robber Bridegroom at ICT

Michael Uribes and Tyler Ledon in The Robber Bridegroom at ICT

Set in the yesteryears of Mississippi, “The Robber Bridegroom” musical tells of the courting of Rosamund, the only daughter of the richest planter in the country, by Jamie Lockhart, a rascally robber of the woods. Throw in an evil stepmother, her pea-brained henchman and a talking head-in-a-trunk, and you have the recipe for a rollicking romp.

Speaking of great ideas, you should get your tickets for this wonderfully entertaining show! We can’t think of anything better.

“The Robber Bridegroom” runs through November 6 with performances Thursdays through Sundays at the Long Beach Performing Arts Center. Tickets can be purchased online at www.InternationalCityTheatre.org or by phone at 562.436.4610.

Our 2012 Season – Adults Behaving Badly!

September 2nd, 2011

The cast of Loving RepeatingAs the new Artistic Director of International City Theatre, it is important that caryn desai’s first season signal her vision for the company, and that vision seems to be off to a fantastic start for Long Beach’s resident professional theatre company.

The season theme – “Adults behaving badly … unless they Ain’t.” This season is running on all cylinders, an explosion of incredible entertainment.  ICT’s 2012 season includes two Tony Award-winning plays, two West Coast Premieres and a new comedy by one of Broadway’s leading comic writers. The 2012 ICT season is as follows:

God of Carnage

January 24 – February 19

Here’s your chance to see this 2009 Tony Award-winner for Best Play in a more intimate setting!

The Fix

April 24 – May 20

See the West Coast premiere of a hard-edged, hard-boiled rock musical about the American political machine and Washington’s most dysfunctional almost-first family.

Leading Ladies

June 5 – July 1

A rollicking comedy from Ken Ludwig about two down-on-their-luck actors who dress as women to con a dying woman out of her millions

Ghost-Writer

August 21 – September 16

In this West Coast premiere acclaimed novelist Franklin Woolsey has died, but his devoted secretary remains poised at her typewriter – waiting to channel the words that will complete his masterpiece.

Ain’t Misbehavin’

October 9 – November 4

Visit the Golden Age of Jazz in this Tony Award-winning musical revue based on the life of Thomas “Fats” Waller.

ICT is one of the most affordable professional theatres in Southern California.  This award-winning company is making the season even more appealing.  If you subscribe before September 30, ICT will pay your parking for the year – a $50 savings!

For more information on the theater schedule or to purchase subscriptions, call (562) 436-4610 or go online to www.InternationalCityTheatre.org.

Private Lives Coming to ICT and Broadway

August 19th, 2011

Production Photo for ICT's Private Lives

Freddy Douglas and Caroline Kinsolving in ICT's upcoming production of Private Lives. Photo Courtesy of Carlos Delgado

Rarely does a play, even one of critical acclaim or commercial success, draw the same type of success when produced many years later. It is a very special moment to see a play transcend time and generation gaps to induce the same level of excitement as the original production. One play that looks certain to do that is Noel Coward’s Private Lives, set to open on Broadway in November.

This revival will star Kim Cattrall in a cast that hopes to bring the same magic as it did when it first came to Broadway exactly 80 years ago. This Multi-Tony Award-winning comedy is considered by many to be one of the greatest comedies ever written and has been produced all over the world since it first debuted back in 1931.  The New York Times called it “fantastically funny”.

Private Lives is a stylish, savvy comedy about the people we can’t live with – or without. Divorcees Amanda and Elyot meet up again quite by accident while on their second honeymoons, with brand-new spouses in tow. Love and passion abound in the eyes of four hilariously mismatched lovers. Private Lives shines with wit, romance, desire, rivalry and bittersweet truth.

Don’t worry about making it to New York to see the Broadway revival.   You can see it here because International City Theatre (ICT) will present Private Lives beginning next week. Come see why this play is as treasured now as it was back then.

Private Lives runs August 26 – September 18 with previews August 23 – 25 and performances Thursdays through Sundays at the Long Beach Performing Arts Center. Tickets may be purchased online at www.InternationalCityTheatre.org or by phone at 562.436.4610.

The Noel Coward Renaissance

July 20th, 2011

Noel Coward, creator of ICT's upcoming play Private LivesSometimes things just work out perfectly. When we announced last year that Noel Coward’s Private Lives would be a part of our 2011 season, we had no idea that a Noel Coward renaissance was about to take place.

It has been announced recently that Private Lives is about to be revived and will be a part of the upcoming Broadway season with Kim Catrall as the headliner. Also, the New York Public Library is set to open a Noel Coward exhibition in the spring of 2012. With pieces from both public and private collections, this exhibition will include scripts, programs, photographs, personal effects, costumes and other memorabilia. Much of this has never been seen before.

We think the best way to prepare for seeing the Broadway revival and the Noel Coward Exhibition is to come and see ICT’s production of Private Lives  running August 23 – September 18. There must be a reason why so many different people want to pay tribute to this incredible writer. Come see Private Lives at ICT and find out why.

For tickets to Private Lives at ICT, please visit www.ictlongbeach.org

Los Angeles – Do You Like Theatre or Not?

June 17th, 2011

Members of the cast of WHEN GARBO TALKS! - a world premiere musical at ICT

WHEN GARBO TALKS! - a world premiere musical at ICT

This week, thousands of this country’s theater industry professionals will embark on the city of Los Angeles for the 50th annual Theater Communications Group conference. Theater Communications Group, commonly referred to as TCG, is an organization that represents and advocates for nonprofit theaters in the United States. One issue being brought up at this conference (and something thought about daily by local theaters) is whether Los Angeles is a theater town, and if not, how do we make it one.

Unlike other major cities in the country that can claim with confidence that they are “theater towns” – New York, Chicago and San Francisco – Los Angeles has one major obstacle that those other cities don’t. That obstacle is none other than the television and film industry. There is no denying that this detracts many people from much of the amazing theater productions occurring nightly in the Los Angeles area.

This issue has never been a question of whether good theater was being made in this city. Many productions that are smash hits on Broadway were originally produced in Los Angeles, two examples being the now classic Angels in America and the current Broadway hit musical Sister Act. The problems involve things that the local theater community has no control over. For one, there is no central area full of theaters like those that call Broadway home. Theaters are instead spread out from International City Theatre in Long Beach to the Mark Taper Forum in downtown Los Angeles to the Geffen in West Los Angeles. Another issue is that many newspapers don’t cover theater like they used to in the past, making it extremely difficult to spread the word about a show.

This area certainly isn’t short on talent. There must be a reason why millions of classically trained actors, writers, designers and directors move here to work on our stages. There are dozens of theater companies doing innovative and original work on a nightly basis. ICT ended its 2010 season with a world premiere musical about Greta Garbo called When Garbo Talks! The quality of the work isn’t an issue here, and there certainly are a significant number of theater enthusiasts that live here.

So what do you think? Is Los Angeles a “theater town?” If it isn’t yet, do you think it can be? Perhaps the best question is whether residents of the greater Los Angeles area want its city to be a “theater town” or not. We sure hope so.

GLEE is About to be SMASHED by Real Musical Television

May 25th, 2011

Now don’t get us wrong. Here at International City Theatre, we are very big fans of the television show “GLEE.” It has been wonderful to see Broadway stars like Lea Michele and Matthew Morrison star on a show that brings musical comedy back to the American public. However, while still a great show, the music has essentially become a marketing platform for musical artists to promote their catalogs.

Where the first season provided many odes to show tunes and old standards, this last season has featured episodes dedicated to the music of Justin Bieber, Lady Gaga and Britney Spears. There is nothing wrong with pop music whatsoever, but the show essentially then pulls away from many musical theatre enthusiasts’ initial hope that this show would serve as a launching platform for people to be introduced to musical theatre. Have no fear though theatre fans, as NBC has just picked up “Smash,” a comedy coming this fall that will focus on the development of a new musical.

Produced by Steven Spielberg, “Smash” is a show about the development of a new musical about Marilyn Monroe that is headed to Broadway. It is a behind-the-scenes look at what it takes to get a theatrical production up and running. Sensing that you are already excited, you will be even more delighted when you find out that the creative forces behind this show are all a “Who’s Who” of the theatre industry. The team includes Tony-winning director Michael Mayer (“Spring Awakening,” “Thoroughly Modern Millie”), playwright Theresa Rebeck (Broadway’s “Mauritius”), and the songwriting team of Marc Shaiman and Scott Wittman (Broadway’s “Catch me if You Can,” “Hairspray”).

The cast includes theatre, television and film heavyweights Debra Messing, Christian Borle, Anjelica Houston, Brian D’arcy James, Megan Hilty and Katherine McPhee.

Needless to say, we are very excited to see “Smash” and hope it does what we thought “GLEE” would – bring people back to the theatre!

 

ICT playwright pens own version of The Huxtables

May 13th, 2011

Many people don’t know that “The Cosby Show” was actually based on the material of Bill Cosby’s standup act. Even more people probably don’t recognize the social impact that the show had on America. It portrayed an educated and affluent African-American family, a distinct difference to mainstream racial stereotypes. John Henry Redwood, playwright of International City Theatre’s upcoming production The Old Settler, also wrote sincere stories about the African-American experience with grace and humor.

After serving in the Marines, Redwood earned master’s degrees in religion and history, as well as a doctorate in religion. He also took acting classes and quickly found himself with a theatrical career, appearing on Broadway in “Guys and Dolls” and across the country in many August Wilson plays.

Redwood became a playwright late in life because he explained he could not find enough satisfying parts as a black actor. “There are a lot of stories, and people are cursing, selling dope to prostitutes—and I know these people,” he said. “But I know other people also. These are the people I choose to write about.”

The Old Settler is a fiery comedy set in Harlem 1943 about two African-

John Henry Redwood in August Wilson's FENCES

John Henry Redwood in August Wilson's FENCES

American sisters and what happens when a young fellow newly arrived from the deep south rents a room in the apartment they share.

John Henry Redwood made it a point to write about real people. His plays depict characters you could meet any day in your own life. Like Bill Cosby, he just wanted to tell the complete story.

The Old Settler runs June 3 – June 26 with low-priced previews May 31 – June 2. Performances run Thursdays through Sundays at the Long Beach Performing Arts Center. For tickets, please call the box office at 562.436.4610 or visit www.InternationalCityTheatre.org.

Spiderman is George Takei – Not Peter Parker!

April 20th, 2011

This was just too funny a video not to share with the ICT family. We are sure that you have heard about the new Spiderman musical ( actual name Spider-Man: Turn off the Dark) and the terrible issues that it has dealt with in trying to bring the production to creation. We don’t want to say the show has had major issues, but it certainly is difficult to bring a musical to Broadway when you have actors critically injured in rehearsal and previews, fired the director, choreographer and the book writer and had to rewrite some of the songs just weeks before your opening. Not that any of this means the show is not going to be very good, but it is safe to say the producers of this show are having problems getting it up and running.

Have no fear though great people of America! If there is one person who can turn this headache into a smile, it is the one and only George Takei. We know, we know, you didn’t even think of him but it is true – George Takei will save the Spiderman musical! Don’t believe us? Take a look.

Facing East – From the Stage to the Screen

April 1st, 2011

Facing East in its Los Angeles premiere at International City Theatre

Back in 2009, we here at International City Theatre brought to the stage the Los Angeles premiere of Facing East, a captivating play about a Mormon couple struggling with their faith after the suicide of their gay son. The response from the audience was tremendous and we are so excited to hear that a film adaptation of the Carol Lynn Pearson play is in the works.

The film will be directed by Will Swenson, a huge name in theatre right now having just been Tony- nominated for his performance in the Broadway revival of Hair last year and currently starring in Priscilla Queen of the Desert. Pearson has also written the screenplay and production is expected to begin in the fall.

It will be interesting to see the aesthetic and creative differences between the two productions and everyone here at ICT is very excited to see what the end result is. This just proves once again that some of the most innovative and original scripts coming out today come from the world of theatre and the stage!

Women’s Voices in Theatre – Can You Hear Them?

March 10th, 2011

A recent study from the Los Angeles Female Playwrights Intiative in collaboration with LA Stage Alliance revealed that only one in five plays in Los Angeles theatres is written by a woman. With a 20% average, this percentage is better than the national average of 17% but neither are numbers that would make anyone feel proud.

Such statistics are shocking, especially when you consider the most important factor – the audience. Attend any theatrical production, be it a comedic play, a drama or a musical, and it is safe to say that the audience is comprised of predominantly women. According to audience reports conducted by the Broadway League Report in 2009/2010, 69% of ticket buyers are women. While this report reflects only Broadway productions studied, there is no reason to think that such numbers are fairly accurate representations of what is happening across the country.

Kathleen Clark - Writer of ICT's upcoming play Southern Comforts Photo Courtesy of Broadwayworld

 

We here at International City Theatre have always believed in producing new works by new voices and really representing our community with the types of plays we choose to produce. This holds true for producing the work of women playwrights as well. Last year, three of our five plays were written or co-written by women – Backwards in High Heels by Lynnette Barkley, A Shayna Maidel by Barbara Lebow and The Clean House by Sarah Ruhl. This season, two of our productions were written or co-written by women. Loving Repeating, which just closed on February 13, had its lyrics written by Gertrude Stein. Our upcoming production of Southern Comforts is written by Kathleen Clark and runs from March 15 – April 10.

We are very proud to be going against the norm by producing plays written by women. Every voice deserves to be heard, and we are happy to have the ability to make that happen.

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